Arolle pine on a "field" of Lapiaz, a limestone rock formation, from the series "The spirit of the trees", Parmelan plateau, France, 1998
Gallery
Michel Séméniako's colour nocturnal photographs are in the tradition of the Renaissance painting, with the night as a background. His “brushes” are the coloured torches with which he illuminates his landscapes with layers of colours.
The Guilands park, Montreuil-sous-Bois, France, 2014
Gallery
Michel Séméniako's colour nocturnal photographs are in the tradition of the Renaissance painting, with the night as a background. His “brushes” are the coloured torches with which he illuminates his landscapes with layers of colours.
La Chapelle-Saint-Maurice, from the series "The huts", Haute-Savoie, France, 2017
Gallery
Michel Séméniako's colour nocturnal photographs are in the tradition of the Renaissance painting, with the night as a background. His “brushes” are the coloured torches with which he illuminates his landscapes with layers of colours.
The shaman, from the series "The spirit of the trees", Semnoz plateau, France, 2009
Gallery
Michel Séméniako's colour nocturnal photographs are in the tradition of the Renaissance painting, with the night as a background. His “brushes” are the coloured torches with which he illuminates his landscapes with layers of colours.
The path of Bernon, from the series "The spirit of the trees", Kerassel, Golfe du Morbihan, France, 2014
Gallery
Michel Séméniako's colour nocturnal photographs are in the tradition of the Renaissance painting, with the night as a background. His “brushes” are the coloured torches with which he illuminates his landscapes with layers of colours.
